How did you become involved with Shining Time
We were working with eccentric National Lampoon writer Sean Kelly on various projects, and he called
us up and said he was over at WNET-THIRTEEN (Public Broadcasting Station) and that "the producers were working on a
show that needed puppets, and they need the Flexitoon puppets but they just don't know it yet." So we packed up some
of the puppets and marionettes from our Nickelodeon series PINWHEEL, and went over to meet the producers.
This was on a Friday. They called Monday and said that "the other puppeteers said they could bring something different
to the party, and we were the only ones who proved it." So Flexitoon was hired to build and perform the Juke Box
Band on Shining Time Station.
What was a typical day like working on the set
of Shining Time Station?
We shot the first 20 episodes in New York City (where we're stationed), and all
the rest in Toronto. The Juke Box Band were usually the first segments shot for the series. I'd get the scripts
earlier and "puppetize" them. I'd also draw storyboards and work closely with a co-director on integrating the scenes
and musical numbers within the context of the rest of the show. We'd shoot all the two or three camera-stuff first to get
it out of the way. Then we'd go to single-camera film-style and the fun would begin. We'd redress the puppets
and marionettes, add custom props and sets to the juke box, or move to one of the other sets (the dressing room or Tito's
vault, for instance.)
Many of the props, hats and set-pieces were constructed before,
during and after hours. The six of us puppeteers were always busy behind-the-scenes: Olga Felgemacher (Didi the Drummer)
and Jonathan Freeman (Tito Swing) were making the costumes and hats. The late Peter Baird (Grace the Bass) restrung
the marionettes. Alan Semok (Tex) constructed intricate mechanisms; Ken Miele (Grace's assistant) did woodwork; and
I (Rex)designed/painted/ constructed/ supervised and co-directed. One time a business person came back into our magical
enclave and declared "Oh, just like elves" to which Peter Baird - - looking up from his newly minted Finnigin Pin
declared "More like trolls!"
Did you control the jukebox as well?
not sure what you mean by CONTROL, but we were very "instrumental" in all things Juke Box. The six of us performed
and voiced all the characters (Grace's voice was dubbed in later).
In the special " One of the Family" , Mr. Conductor
goes inside the jukebox; how did you get the puppets to interact with Mr. Conductor?
That required a lot
of preplanning and careful storyboarding. After lining up the individual shots, we had the stage manager read Mister
C's lines from off screen. We kept strict eye focus as to where he would eventually be integrated. And the results
were quite believable. Our only regret was that we never had Ringo appear in the Juke Box to drum with Didi. A tap-dance
on the tom-tom would've been one for the ages!
Was the idea that the Jukebox Puppet Band would
be in Thomas and the Magic Railroad ever proposed to you?
Certainly, given the cross-over popularity of the
characters. (Newsday said "the best American part of the show is a cast of crazy musical puppets known as The Flexitoons")
But I guess the producers thought it'd be "hipper" to have a girl pop group instead. A real faux-pas on their
part. Oh we had big plans for them. The preliminary discussion was to have the juke box knocked over and all the
characters would scatter and get lost. They'd be out in the world! Alone. There would be a song that each
of them sings, and by the end, they'd all hear the others song and reunite once again, singing joyful five-part harmony.
In closing, did you enjoy working on Shining
Absolutely and without a doubt. The people, the producers, the finished product touched
and continues to touch millions of families. On behalf of all the puppeteers, FLEXITOON is proud to be part of such a great
You can view several Juke Box Band numbers on our website:
Click on the Shining Time Station page and Video Gallery.
We'd like to express our thanks to Craig, and
wish him and the crew all the best with their current and upcoming projects.